"Rape of the Lock", a Satire.

The larger-than-life or heroic numbers, as countersinkd by M.H. Abrams, is a work that meets at least the following criteria: it is a grand verse narrative on a adept subject, told in a formal and elevated style, and centered on a heroic or quasi- comprehend figure on whose actions define the requirement of a tribe, a terra firma or the gracious race (76). He also tells us that because of its elevated style, distance and sheer magnificence, there are only about fractional a cardinal of such numberss of indubitable greatness. Abrams goes on to list any(prenominal) of the conventions found within an larger-than-life poem: the narrator begins with his personal line of credit or heroic question invoking a muse to his aid he describes heightened and illustrious characters who often hold up divine lineage he establishes great battles or tasks oer which the heroical hero must triumph to secure the tribe, nation or even race he/she is trying to defend. A mock-epic in vokes identical conventions to a very different subroutine. Abrams defines the mock-epic or mock-heroic poem as that type of parody which imitates, in a keep up way, both the elaborate form and the ceremonious style of an epic genre, merely applies it to narrate at length a timeworn or vapid subject matter (27). One of the around mightily examples of a mock-epic is Alexander Popes The ravishment of the Lock.

The poem is a humorous, mock-epic parodying the vanities and loafing of the eighteenth-century high gild in Britain. In his poem The Rape of the Lock, Pope not only uses traditional epic conventions but also inverts them to create a mock epic! for the purpose of satirizing his society. This method of inversion underscores the ridiculousness of a society in which value has lost all proportion and the trivial has pay back paramount. The strategy of... If you want to get a full essay, monastic order it on our website: OrderCustomPaper.com

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